Circles and Squares comes from the Florence Broadhurst archive, hand printed in Australia by Signature Prints using her original screens. This is the teal colourway on a biscuit hopsack, where the coarse weave breaks the geometry up just enough to stop it looking mechanical. Piped in a neutral plain.
27 x 57cm, handmade in my Devon workroom with tapered corners, overlocked edges and an invisible zip along the bottom edge.
There are only two of these covers and this listing is for one of them. There are other sizes and designs in the collection that mix and match with it.
A small oblong is the cushion that finishes a group rather than starts it. Put it in front of a larger plain square and let it carry the pattern on its own.
Care: dry clean recommended. Due to the handcrafted nature of the fabric, slight irregularities and shade variations are characteristic and not considered faults. Exact colour matching to previous orders cannot be guaranteed.
Bleu Topaze is an inky petrol blue, somewhere between teal and navy. There is a lot of movement in the pile: lighter where it catches the light, almost navy in the shadows.
Strong enough to use as a contrast cushion on a cream, stone or natural linen sofa. If you want warmth beside it, Cuivre or Camel both work well.
Manade is Maison Casamance's vintage-effect velvet. A printed semi-plain finish gives the pile the soft, worn look of aged leather, and each cover is edged with a black and white braid. The reverse is natural plain linen and the cover closes with an invisible zip.
Available in 45 × 45 cm, 40 × 60 cm and 65 × 65 cm, as a cover only or with a Casamance feather pad (50% duck feather, 50% polyester).
Specification
Design: Manade
Brand: Maison Casamance
Colour: Bleu Topaze
Description: Vintage effect velvet
Composition: 62% polyester, 38% linen
Reverse: Natural plain linen
Finish: Braid
Closure: Invisible zip
Sizes: 45 × 45 cm, 40 × 60 cm, 65 × 65 cm
Cushion pad (optional): 50% duck feather, 50% polyester
Care: Wash at 30°C on a very gentle cycle. Do not bleach, tumble dry, iron or dry clean.
Country of origin: Tunisia
The Cranes comes from the Florence Broadhurst archive, hand printed in Australia by Signature Prints using her original screens. This is the teal colourway on a biscuit hopsack, a coarser and more textured ground than her prints usually sit on, which suits the drawn line of the birds. Backed in plain teal chenille, with no piping.
40 x 40cm, handmade in my Devon workroom with tapered corners, overlocked edges and an invisible zip along the bottom edge.
Hand printed fabric comes in short lengths, so this is a small run. There are other sizes and designs in the collection that mix and match with it.
A square this size sits well at the back of a sofa with a smaller rectangle in front of it. Keep the rectangle plain and let the birds carry the pattern.
Use a feather insert two inches larger than the cover for a full fit. Cushion pad: 100% duck feather.
Care: dry clean recommended. Due to the handcrafted nature of the fabric, slight irregularities and shade variations are characteristic and not considered faults. Exact colour matching to previous orders cannot be guaranteed.